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Jamie lee curtis trading spaces

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The pair determined that the commodities market would make for an interesting setting for a film, as long as it was not about the financial market itself.

They needed something to draw the audience in. It was decided to set the story in Philadelphia because of its connections to the founding of the United States of America, the American dream and idealism and the pursuit of happiness.

This was tempered by introducing Billy Valentine as a black man begging on the street. The script was sold to Paramount Pictures under the title Black and White.

Landis disliked the working title, [2] but favorably compared the script to older screwball comedies of the s by directors like Frank Capra , Leo McCarey , and Preston Sturges , which often satirized social constructs and social classes, reflecting the cultural issues of their time.

Landis wanted his film to reflect these concepts in the s; [13] [14] [2] he said the main updates were the addition of swearing and nudity.

After watching Murphy's audition tapes, Landis was impressed enough to travel to New York City to meet with him. Landis wanted Dan Aykroyd to serve as Murphy's co-star.

He had worked previously with Aykroyd on the musical comedy film The Blues Brothers ; the experience had been positive. Landis said, "he could easily play [Winthorpe] And I thought he'd be wonderful.

They felt that Aykroyd working alone would be akin to Bud Abbott , half of Abbott and Costello , working without Lou Costello and Aykroyd's recent films had fared poorly at the box office.

Aykroyd agreed to take a pay cut for the role. The studio also objected to the casting of Jamie Lee Curtis. At the time she was seen as a " scream queen ", primarily associated with low-quality B movies.

Landis had worked previously with Curtis on the horror documentary Coming Soon , for which she had served as the host. She wanted to move away from horror films as she was conscious that the association would limit her future career prospects.

Her mother, Janet Leigh , had famously starred in Psycho For the greedy Duke brothers, Ralph Bellamy was the first choice for Randolph.

His first choice was Ray Milland , but the actor was unable to pass a physical test to qualify for insurance while filming.

As the start date for filming loomed, Landis thought of Don Ameche. The casting director claimed that Ameche was dead.

They confirmed that Ameche had no agent, and his royalty payments were being forwarded to his son in Arizona. Landis accepted this as evidence that Ameche was deceased.

Landis called directory assistance to locate a "D. Ameche" in the area and made contact. Gordon Liddy , a central figure in the Watergate political scandal of the early s, was offered the role of corrupt official Clarence Beeks.

Liddy was interested in the offer until he learned that Beeks becomes the romantic partner of a gorilla.

Paul Gleason took the role; his character reads a copy of Liddy's autobiography Will while riding the train. The script underwent minor changes throughout filming; some improvisation was also encouraged.

Changes were normally discussed in advance but, on other occasions, ad-libbed dialogue was considered funny enough to keep.

Examples of ad-libs retained in the film include Valentine comparing Randolph to Randy Jackson of The Jackson 5 and demonstrating his "quart of blood" technique in jail.

Even so, he changed many of his own lines because he said that a white writer writing for a black person would use stereotypical dialogue like "jive turkey" and "sucker", and he could write his lines to sound authentic.

The first fifteen days of filming were spent in Philadelphia. While filming the scene where Randolph and Mortimer collect Valentine from jail, Landis was positioned in a towing truck that pulled the Rolls-Royce carrying Ameche, Bellamy and Murphy.

Landis wore a thick parka to stay warm, and the actors had a space heater in their vehicle; Landis listened to their dialogue via radio.

Describing the filming of the scene, Landis recalled a jovial discussion between Ameche, Bellamy, and Murphy: Bellamy said that Trading Places was his 99th film; Ameche said it was his th.

Murphy informed Landis that "between the three of us we've made films! Independence Hall is also featured. Filming moved to New York City in January ; many of the interior scenes were filmed there.

Empty lockups in police administration buildings would normally be in use but because of the financial investment the production had made filming in the city, the mayor's office agreed to accommodate Landis' request; the studio paid for any expenses incurred.

The New York Times reported that while for years the Corrections Department had failed to deliver prisoners on time for trials and arraignments, they moved nearly prisoners through the 12th-floor in one day.

The lack of windows gives the appearance the floor is situated below ground, but it was actually on a high floor.

The scene was scripted to take place at the Chicago Mercantile Exchange , but the filmmakers were unable to secure permission to film there.

Landis said the traders in the film were less physically rough with each other than they were during normal trading. Elmer Bernstein composed the score for Trading Places.

He had used classical music in his previous films to represent the upper classes and felt that it would be fitting for the pompous elites of the financial industry.

Bernstein created his own arrangements of the music to reflect the differing emotions of each scene. Over 40 films were scheduled for release over the week period.

Studios had to strategize their releases to avoid damaging their own films' performances by pitting them against better-performing competition.

Comedy films were considered counterprogramming that attracted audiences who had already seen, or were not interested in, the major film releases that were mainly focused on science-fiction and superheroes.

While sequels were expected to do well having the advantage of a built-in audience, Trading Places was predicted to be successful based on its star cast.

While the film never claimed the number one box office ranking, it spent seventeen straight weeks among the top ten-highest-grossing films.

Trading Places received generally positive reviews from critics. She continued, "Preston Sturges might have made a movie like Trading Places - if he'd had a little less inspiration and a lot more money.

Instead, the characters do not dismantle or expose the corruption of the financial system, they just take revenge on the Dukes, obtaining extreme wealth in the process.

Even so, he concluded the film was one of the best American comedies released in a long time. She called it the American Dream in film form.

Dave Kehr said that though the film pays homage to screwball comedies, it stripped the concept of all but the "crudest audience-gratification moments" and avoided exploration of the genre's moral conflicts.

He commended the focus on developing each character so that they were funny because of their individual quirks and personalities. He concluded that this required a deeper script than would normally be developed for a comedy.

The cast were all generally praised. He continued that Murphy and Aykroyd made a "perfect" team. Reviewers agreed that the film featured Aykroyd's best performance to date.

He said that Aykroyd had demonstrated that his success was not dependent upon his partnership with John Belushi.

Variety noted that the supporting cast in Bellamy, Ameche, Elliott and Curtis were essential to the film.

He continued that Ameche was as funny in Trading Places as he was always meant to be. People said that the film works because Landis demonstrated a "remarkable" restraint.

Zimmerman for the black comedy The King of Comedy. It was seen as a substantial increase in spite of increased ticket prices.

Bart believed its success had triggered a negative trend that had resulted in him receiving numerous film pitches—often a mix of the high-concept nature of Trading Places with a Flashdance -inspired breakdancing or gym setting.

He said he knew it was a success because people were trying to take credit for it. Trading Places is considered responsible for launching, changing, or re-launching the careers of many of its stars.

He rose from a TV comedian to a superstar with two of the most successful films of the year. No other African-American actor had achieved a comparable level of success before him.

This was considered a top-tier salary reserved for the most popular movie stars. The studio also agreed to finance his Eddie Murphy Productions studio.

This reflected the fact that average audiences were aging and now in their late teens to late 20s, and led to a shift in focus away from making films targeted mainly at children.

After a series of failures, Trading Places revitalized Aykroyd's career. He earned an Academy Award nomination for his performance in the comedy-drama Driving Miss Daisy Landis continued to work as a director but suffered setbacks following a lawsuit over the accidental deaths of several actors on a segment he directed for Twilight Zone: The Movie and a succession of moderately successful films.

In the early s, the VCR home video market was gaining popularity rapidly. This edition included deleted scenes, details on the film's production, including discussions with the cast and crew, promotional interviews, and interviews with financial experts about the film.

Only 2, copies were released by La-La Land Records. Several publications have attempted to explain exactly how Valentine and Winthorpe make a large sum of money on the commodities market while simultaneously bankrupting the Dukes.

The other brokers realize what the Dukes are doing and join in buying futures. Winthorpe and Valentine begin selling futures at this inflated price, believing it to be the peak price; the contracts will require them to supply FCOJ in April.

Once the real crop report is published indicating that the orange crop will be normal and there will be no shortage of FCOJ, the value of the futures plummets as the brokers desperately attempt to sell their futures and limit their financial losses.

Effectively, they have sold FCOJ which they do not have at a high price and bought it back at a lower price, earning them a profit and eliminating the need to fulfill any contracts.

When trading closes, they must meet the margin call—essentially a deposit—for holding the futures contracts. The central storyline of Trading Places —a member of society trading places with another whose socio-economic status stands in direct contrast to his own—has often been compared to the novel The Prince and the Pauper by Mark Twain.

The opera tells the tale of a servant, Figaro, who foils the plans of his wealthy employer to steal his fiancee. When Winthorpe is driven to work during the film's opening, he hums " Se vuol ballare ", an aria from The Marriage of Figaro , in which Figaro declares he will overturn the systems in place.

This foreshadows Winthorpe's eventual efforts to do the same to the Dukes. The main theme of Trading Places is the consequences of wealth or the lack thereof.

Both extremes are depicted by those living in opulent luxury and those trapped in a culture of poverty —a concept arguing that poor people adopt certain behaviors that keep them poor.

They are completely removed from those whose lives are affected by poverty. This is demonstrated by the Dukes' bet, showing their own sense of superiority over, and disregard for, the lives of those beneath them, even Winthorpe.

Their only reward for the bet is personal pride. Conversely, there is rarely a complimentary scene for those subjected to downward mobility.

Vincent Canby said that although the film is an homage to social satire screwball comedies of the early 20th century, Trading Places is a symbol of its time.

Where the earlier films espoused the benefits of things other than money, Trading Places is built around the value of money and those who aspire to have it.

The heroes win by making lots of money; the villains are punished by becoming part of the impoverished. The heroes' reward is escaping to a tropical island, completely divorced from the poverty-stricken neighborhoods they had previously been home.

While seemingly supporting left-leaning political concepts by arguing that given an equal platform a street-hustler like Valentine can perform Winthrope's job equally well, the film promotes right-leaning concepts like Reagan-era policies where the accumulation of wealth is important.

David Budd said Trading Places defies expectations of racial stereotypes. Randolph's attempts to prove nurture wins over nature demonstrates that Valentine, given the same advantages as Winthorpe, is just as capable, and leaves behind the negative aspects of his former, unfair life.

As part of their revenge against the Dukes, Winthorpe disguises his identity by donning blackface makeup, an act enabled by Valentine who has helped loosen up this strait-laced character.

Because Valentine allowed it, it makes the act acceptable. This requires Valentine to accept and support Winthorpe despite having numerous reasons to dislike him, including originally getting Valentine wrongly arrested and then later trying to frame Valentine to reclaim his old job.

Even so, Valentine befriends Winthorpe and helps him get revenge on the Dukes, the old establishment characters who demonstrate explicit racism.

The film requires Valentine to act "white", performing as is expected of him to survive in the Dukes' world. Gillian White and Bourree Lam argue that because the film identifies money as the most valuable entity, this in turn means that Ophelia is only valuable as a prostitute because she is financially intelligent.

Trading Places also employs several conventions of its Christmas setting to highlight the individual loneliness of the main characters, in particular, Winthorpe.

On Christmas Eve he humiliates himself in front of his former bosses, unwittingly losing his opportunity for his swap with Valentine to be undone by having become a criminal.

While waiting outside a store, a dog urinates on him. The following day offers a Christmas redemption and a change of fortune as Winthorpe is integrated into the non-traditional family unit of Coleman, Ophelia and Valentine.

Along with the impact their respective roles on had on its stars' careers, [2] Trading Places is considered one of the best comedy films ever made and part of the canon of American comedies.

Murphy portrays the affluent Prince Akeem who hands the now-homeless brothers a large sum of cash. Mortimer tells Randolph that it is enough to give them a new start.

Harris described one incident where a person told him they had obtained a career in finance because of the film; Harris said that this was counter to the film's message.

In , nearly 30 years after its release, the film was cited in the testimony of Commodity Futures Trading Commission chief Gary Gensler regarding new regulations on the financial markets.

He said:. We have recommended banning using misappropriated government information to trade in the commodity markets.

In the movie Trading Places , starring Eddie Murphy, the Duke brothers intended to profit from trades in frozen concentrated orange juice futures contracts using an illicitly obtained and not yet public Department of Agriculture orange crop report.

Characters played by Eddie Murphy and Dan Aykroyd intercept the misappropriated report and trade on it to profit and ruin the Duke brothers. The testimony was part of the Dodd—Frank Wall Street Reform and Consumer Protection Act designed to prevent insider trading on commodities markets, which had previously not been illegal.

Section of the reform act is referred to as the "Eddie Murphy rule". Trading Places is considered one of the best comedies of the s and one of the best Christmas films.

Although the film's story takes place over several weeks leading up to and after Christmas, Trading Places is regarded as a Christmas film.

The site's consensus states: "Featuring deft interplay between Eddie Murphy and Dan Aykroyd, Trading Places is an immensely appealing social satire.

In the years followings its release, some critics have praised the film while highlighting elements that they believe have aged poorly and are now seen by some as problematic, including racial language, the use of blackface, and the implied rape of Beeks by a gorilla.

Todd Williams, director of the documentary The N-Word , said that it is a critical scene that should not be censored.

He considered it dangerous to pretend a word never existed as in turn other negative events could also be ignored. The disclaimer read, "This film has outdated attitudes, language, and cultural depictions which may cause offence today.

From Wikipedia, the free encyclopedia. This article is about the comedy film. For other uses, see Trading Places disambiguation.

Theatrical release poster. Timothy Harris Herschel Weingrod. Release date. Running time. Ralph Bellamy in left and Don Ameche in They portrayed the Duke brothers, Randolph and Mortimer, respectively.

The Marriage of Figaro - Overture. Performed by Musopen Symphony See also: in film. The Atlantic. Archived from the original on April 22, Retrieved July 3, Business Insider.

Archived from the original on July 3, Archived from the original on September 18, Archived from the original on August 9, Retrieved July 4, Beaks Says Goodbye to Clarence Beeks".

Archived from the original on January 9, Retrieved September 18, Archived from the original on June 11, Rolling Stone.

Archived from the original on February 7, Retrieved December 30, The New York Times. Archived from the original on May 24, Gerald February 17, Archived from the original on January 30, Retrieved July 5, July 12, The Washington Post.

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Jamie lee curtis trading spaces

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